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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Nothing's as precious as a hole in the ground
Nothing's as precious as a hole in the ground
Nothing's as precious as a hole in the ground

Nothing's as precious as a hole in the ground, 2001

eX de Medici
Portrait, mangrove bark pigment, watercolour and gouache on vellum

Commissioned with funds from the Basil Bressler Bequest 2001

Head studies: Preparatory study for 'Nothing's as precious as a hole in the ground'
Head studies: Preparatory study for 'Nothing's as precious as a hole in the ground'
Head studies: Preparatory study for 'Nothing's as precious as a hole in the ground'

Head studies: Preparatory study for 'Nothing's as precious as a hole in the ground', 2001

eX de Medici
Portrait, pencil on paper

Commissioned with funds from the Basil Bressler Bequest 2001

Preparatory study for 'Nothing's as precious as a hole in the ground'
Preparatory study for 'Nothing's as precious as a hole in the ground'
Preparatory study for 'Nothing's as precious as a hole in the ground'

Preparatory study for 'Nothing's as precious as a hole in the ground', 2001

eX de Medici
Portrait, watercolour on paper

Commissioned with funds from the Basil Bressler Bequest 2001

Test #4 Broadhead and Wing Pattern: Preparatory study for 'Nothing's as precious as a hole in the ground'
Test #4 Broadhead and Wing Pattern: Preparatory study for 'Nothing's as precious as a hole in the ground'
Test #4 Broadhead and Wing Pattern: Preparatory study for 'Nothing's as precious as a hole in the ground'

Test #4 Broadhead and Wing Pattern: Preparatory study for 'Nothing's as precious as a hole in the ground', 2001

eX de Medici
Portrait, watercolour, gouache, mangrove bark dye with alum on vellum

Commissioned with funds from the Basil Bressler Bequest 2001

'Come + see the real thing, come + see' Conquistadors parts Hong. Ranger 3: Preparatory study for 'Nothing's as precious as a hole in the ground'
'Come + see the real thing, come + see' Conquistadors parts Hong. Ranger 3: Preparatory study for 'Nothing's as precious as a hole in the ground'
'Come + see the real thing, come + see' Conquistadors parts Hong. Ranger 3: Preparatory study for 'Nothing's as precious as a hole in the ground'

'Come + see the real thing, come + see' Conquistadors parts Hong. Ranger 3: Preparatory study for 'Nothing's as precious as a hole in the ground', 2001

eX de Medici
Portrait, mangrove bark pigment and pencil on paper

Collection: National Portrait Gallery
Commissioned with funds from the Basil Bressler Bequest 2001

Test #2 Ranger 3 Pit Mine Kakadu, N.T.: Preparatory study for 'Nothing's as precious as a hole in the ground'
Test #2 Ranger 3 Pit Mine Kakadu, N.T.: Preparatory study for 'Nothing's as precious as a hole in the ground'
Test #2 Ranger 3 Pit Mine Kakadu, N.T.: Preparatory study for 'Nothing's as precious as a hole in the ground'

Test #2 Ranger 3 Pit Mine Kakadu, N.T.: Preparatory study for 'Nothing's as precious as a hole in the ground', 2001

eX de Medici
Portrait, mangrove reduced bark dye (no alum) on unsanded vellum

Commissioned with funds from the Basil Bressler Bequest 2001

M.O. Ranger 3: Preparatory study for 'Nothing's as precious as a hole in the ground'
M.O. Ranger 3: Preparatory study for 'Nothing's as precious as a hole in the ground'
M.O. Ranger 3: Preparatory study for 'Nothing's as precious as a hole in the ground'

M.O. Ranger 3: Preparatory study for 'Nothing's as precious as a hole in the ground', 2001

eX de Medici
Portrait, watercolour, gouache and pencil on paper

Commissioned with funds from the Basil Bressler Bequest 2001

Test #1 Ranger 3 Pit Mine Kakadu, N.T.: Preparatory study for 'Nothing's as precious as a hole in the ground'
Test #1 Ranger 3 Pit Mine Kakadu, N.T.: Preparatory study for 'Nothing's as precious as a hole in the ground'
Test #1 Ranger 3 Pit Mine Kakadu, N.T.: Preparatory study for 'Nothing's as precious as a hole in the ground'

Test #1 Ranger 3 Pit Mine Kakadu, N.T.: Preparatory study for 'Nothing's as precious as a hole in the ground', 2001

eX de Medici
Portrait, mangrove bark pigment on vellum

Commissioned with funds from the Basil Bressler Bequest 2001

'The Australian Cricketers' from The Illustrated Sporting and Dramatic News June 1882, page 1 Unknown artist Publisher Illustrated Sporting and Dramatic News

'The Australian Cricketers' from The Illustrated Sporting and Dramatic News June 1882, page 1

Unknown artist Publisher Illustrated Sporting and Dramatic News
Image
Bust of Peter Garrett
Bust of Peter Garrett
Bust of Peter Garrett

Bust of Peter Garrett, 1991-2016

Peter Schipperheyn
Portrait, carved marble on travertine marble base

Gift of the artist 2018. Donated through the Australian Government's Cultural Gifts Program.

Peter Schipperheyn with bust of Peter Garrett

Peter Schipperheyn

'A quintessential Australian character'
Portrait story

Sculptor Peter Schipperheyn talks about working with marble and his portrait of Peter Garrett.
'The Australian Cricketers' from The Illustrated Sporting and Dramatic News June 1882
'The Australian Cricketers' from The Illustrated Sporting and Dramatic News June 1882
'The Australian Cricketers' from The Illustrated Sporting and Dramatic News June 1882

'The Australian Cricketers' from The Illustrated Sporting and Dramatic News June 1882, 1882

an unknown artist
Portrait, engravings on paper

Purchased 2009

Where Have All The Flowers Gone, 2021 The Huxleys

Where Have All The Flowers Gone

The Huxleys
Image
Style Over Substance

The Huxleys

Biography

Will Huxley grew up in the suburbs of Perth, Western Australia, and Garrett Huxley was raised on the Gold Coast, Queensland.

3 portraits in the collection

The Huxleys, 2018 Sally Ross

Happiness is... extreme and unapologetic

Devotion

A glamorous, glorious visual assault
Miranda Otto

Eye to eye

Previous exhibition, 2019

Eye to Eye is a summer Portrait Gallery Collection remix arranged by degree of eye contact – from turned away with eyes closed all the way through to right-back-at-you – as we explore artists’ and subjects’ choices around the direction of the gaze.
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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